Category: Uncategorised

  • CV Development

    Starting this MA was an intentional career change. I have not been feeling confident about CV representing me in a way that would help me get a more creative role, so I arranged a meeting with graduate support to discuss the best steps going forward for making a good CV.   On their advice I have revamped my CV…

  • Applying to, and attending festivals

    Since starting the course, I have applied to many Festivals. To begin with I was looking at festivals who call out for short 7-10 second clips. Since completing Easy Peelers for unit 2 of this course, I created a FilmFreeway account and submitted to many festivals. To give context, here’s a screenshot from FilmFreeway showing the status of my LIAF…

  • Graduate Show Networking – and Applying for Jobs that have meaning to me and increase my job satisfaction. 

    I have accumulated 3 crucial areas of learning, namely: marketing myself, my animation focus and the technicalities of animation.   In January and I attended a UAL graduate fair that was focused on the animation industry and made sure that I had a portfolio ready, updated my website and made a new show reel compiling the work I have done in my career so far. At the fair I attended a 1-1 portfolio review with Jesus Ovejero from The Line. He directed me on marketing myself. I also spoke to Ken Fountain, from DNEG who directed me on how to animate the showreel better.  My showreel from January 2026 In May, 2026…

  • Interview with Heidi Madsen Part 3 – finding a place in the industry

    Q How would you advise people to get into the industry?  A I think, especially in animation, if you don’t like hard work, I would advise you find something else where you can have fun.  But it’s also fun and amazing to see what you can do together, what you can accomplish.  I think that’s…

  • Interview with Heidi Madsen Part 2 – AI

    Q How do you think AI is influencing the animation roles? A A bit like when I started, there was a shift.  Eventually the animation industry will change.  AI is not quite there, but I think if you work on small things like digital content, such as for YouTube, you’ll have lower cost.  Take Cocomelon…

  • Interview with Heidi Madsen Part 1

    Heidi Madsen is an animation producer who originally trained as a 2D hand-drawn animator and has since worked across 2D, CGI, and live action. She’s also my neighbour, and this October I interviewed her about her career. Her path into animation resonated with me, especially her experience of loving art but feeling out of place…

  • What does a director do?

    As part of unit 2, I was given the opportunity to direct an animation, with a team for the first time. It was incredibly daunting as I have never directed anyone but myself, so having a team to direct was something that I had no clue how to do. What ended up happening was a…

  • Protected: Red Bee Creative Internship

    There is no excerpt because this is a protected post.

  • Router, or Rooter?

    Lost in translation Lipsync: My idea came from a memory of when I stayed at my friend’s flat in Sydney. I had asked her where the [WIFI] router was. With my English accent, I pronounce router as ‘rooter’. She found this hilarious and told me that in Australia a rooter is a prostitute. For the…

  • How the Simpsons Championed the Anicom Genre

    Anicom is the term used for an animated sitcom. Pretty much every genre has been expressed through animation, and in the 1960s, 2D animation was used to make a sitcom called The Flintstones. What makes an Anicom different from children’s animation shown on the TV is that they are made to appeal to the whole…